Cesar Vallejo: Autografos olvidados (Textos B) by Juan Fló, Stephen M. Hart

By Juan Fló, Stephen M. Hart

This version prints in facsimile the fifty-two handwritten manuscripts through Cesar Vallejo came across lately. those manuscripts - which shouldn't be careworn with the typescripts which have been released in Georgette's 1968 Francisco Moncloa version - are a mix of early drafts of nearly all of the dated poems of the Poemas humanos in addition to a considerable variety of the poems which might for that reason come jointly as Espana, aparta de mi este caliz. those manuscripts convey how, from early September until eventually mid-December 1937, Vallejo used to be writing poetry at a frantic speed, alternating among his Civil warfare verse and people poems with a extra own orientation. For the 1st time students could be capable of see for themselves the unique handwritten drafts of Vallejo's posthumous poems, and evaluate them with the next typewritten models. The facsimile reproductions are followed via essays through Juan Fló - one in every of and is the reason the situations resulting in his discovery of the manuscripts, the opposite of which evaluates the originality of Vallejo's verse - and an essay through Stephen M Hart which analyses some of the levels of composition obvious within the poems, from early manuscript draft to ultimate typescript model.

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Extra info for Cesar Vallejo: Autografos olvidados (Textos B)

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Esa contextura bivalente de la poesía vallejiana, que nos obliga a precisar muy bien lo que queremos decir cuando afirmamos que es referencial o no referencial, vuelve muy riesgosa la tarea de los críticos que se aventuran en la exégesis de los poemas de Vallejo. Esa bivalencia hace que se vean tentados a proseguir la indagación de sentidos más allá de lo razonable. Entiendo por razonable evitar cuidadosamente las hipótesis que sobrepasen el punto en el cual es reconocible la voluntad del poeta de proporcionarnos un referente global del poema.

La investigación 21 JUAN FLÓ poética de Vallejo hecha mediante sustituciones, es una investigación acerca de cómo se comportan los diversos vocablos interactuando, sin ser obligados a configurar, como ocurre incluso en poesía, sentidos preexistentes que el lenguaje corporiza y trasmite. De este modo, cuando el procedimiento domina todo un poema, y el autor no introduce una estructura general que organice la referencia global, se anula toda referencia y el poema queda sin traducción o sin interpretación admisible, porque cualquier interpretación es un acto arbitrario superpuesto a una obra no referencial.

En especial que, lo que se considera generalmente como un rasgo sin parangón de la poesía de Vallejo, a saber el extremo patetismo de su discurso y el idiosincrásico uso del lenguaje, no significan la conciliación de dos opuestos sino la realización conjunta de una concepción, de una poética, que no los considera como opuestos sino como dos aspectos de una misma cosa. Su forma inédita de usar el lenguaje, en una búsqueda experimental que no debe confundirse con 30 Reproducción facsimilar de Dressing-Room en César Vallejo 1892–1938 (Madrid: Ministerio de Cultura, 1988), 55–61.

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