Classic Yiddish Fiction: Abramovitsh, Sholem Aleichem, and by Ken Frieden

By Ken Frieden

Yiddish literature, regardless of its notable achievements in the course of an period bounded through Russian reforms within the 1860s and the 1st international battle, hasn't ever prior to been surveyed via a scholarly monograph in English. vintage Yiddish Fiction presents an outline and translates the Yiddish fiction of S. Y. Abramovitsh, Sholem Aleichem, and that i. L. Peretz. whereas interpreting their works, Frieden situates those 3 authors of their literary global and on the subject of their cultural contexts. or 3 generations in the past, Yiddish was once the first language of Jews in Europe and the United States. at the present time, following the Nazi genocide and part a century of full of life assimilation, Yiddish is sinking into oblivion. through delivering a bridge to the misplaced continent of Yiddish literature, Frieden returns to these ecu traditions. This trip again to Ashkenazic origins additionally encompasses broader horizons, because the improvement of Yiddish tradition in Europe and the USA parallels the heritage of different ethnic traditions.

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Extra resources for Classic Yiddish Fiction: Abramovitsh, Sholem Aleichem, and Peretz

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For a Yiddish translation, see MB 181. The Grandfather of Yiddish Literature 33 make a Hebrew style that is lively and speaks clearly and precisely as people of our time and place speak, but the soul should be Jewish [yisra'elit] and should be worthy that one use it to write Hebrew stories for Jews. " 32 In this characteristic mock-biblical passage, Abramovitsh figures himself as a creator who has been impiously neglected by mundane imitators. H. N. Bialik was an admirer who did appreciate and acknowledge Abramovitsh's linguistic and literary accomplishments.

17: Kritik iber Mendele Moykher Sforim (Cracow: Farlag Mendele, 1911), p. 151. , 154). Bialik clearly valued Abramovitsh's Hebrew nusach because he appropriated it for his own poetic creations. As Abramovitsh's Hebrew fiction gained currency, Bialik's poetry became an equally compelling source of modern Hebrew verse. Judaic literary history since Bialik has, for pragmatic reasons linked to the rise of Zionism, emphasized Abramovitsh's importance as a Hebrew author. Much as Sholem Aleichem dubbed Abramovitsh "the Grandfather" of Yiddish literature and in so doing accorded himself a venerable lineage, Bialik exalted modern Hebrew by extolling the virtues of Abramovitsh's influential style.

Abramovitsh refers to his tutor as "Lippe" in his fictionalized autobiography, Shloyme reb Khaim's. 20 ABRAMOVITSH serves that nature enables Jewish children to counterbalance stifling rabbinic customs. Following his father's death in 1850, Abramovitsh studied in traditional yeshivot in Timkovitz (Timkovichi), Slutsk, and Vilna (Vilnius). He then lived for some time with his mothe:r and stepfather in an isolated forest in Melnik (Mielnik), where he recalls having felt the powerful attraction of nature.

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