Edinburgh German Yearbook 4: Disability in German by Eleoma Joshua, Michael Schillmeier

By Eleoma Joshua, Michael Schillmeier

Tested, commissioned, and edited through the dep. of German on the collage of Edinburgh, Edinburgh German Yearbook encourages and disseminates vigorous and open dialogue of topics pertinent to German experiences. No different yearbook covers the total box whereas addressing a concentrated topic in every one factor. quantity four specializes in incapacity in German literature, movie, and theater. incapacity stories is a part of the wider dialogue of distinction and "otherness," of the politics of identification, human rights, ethics, and discrimination. It retrieves disabled figures from literature, movie, and theater and discusses them vis-à-vis "normalcy." lately, incapacity experiences has explored the binary of "able" and "disabled," innovations of exclusion, and the marginalization and affliction of the disabled physique lower than social and clinical buildings of keep an eye on. it's now getting into a part of confident mirrored image addressing the ontological politics of incapacity. therefore, this quantity examines cultural representations of incapacity that increase questions on "the humane gaze" and posits incapacity as traditionally crucial to discussions of humanity, modernity, and social and ethical habit in German-language literature, movie, and theater. issues of concentration contain blindness, actual deformity, harm, affliction, and euthanasia. participants: Martin Brady, Pauline Eyre, Corinna Häger, Karin Harrasser, Urte Helduser, Eleoma Joshua, Susanne C. Knittel, Anna Kornbrodt, Siegfried Saerberg, Rosa Schneider. Eleoma Joshua is Lecturer in German reviews on the college of Edinburgh, united kingdom. Michael Schillmeier lectures within the division of Sociology on the Ludwig-Maximilians-University, Munich.

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Metamorphosen von Normalität und Abweichung, hrsg. von Petra Lutz, Thomas Macho, Gisela Staupe und Heike Zirden (Köln/Weimar/Wien: Böhlau, 2003), 43–61. 44 Gisela Piaschewski, „Wechselbalg“, in Handwörterbuch des deutschen Aberglaubens, Bd. IX, hrsg. von Hanns Bächtold-Stäubli (Berlin/Leipzig: de Gruyter, 1938/41), 835–64. “ (TK, I, 69) 38 ♦ UTE HELDUSER 46 Zu Wezels literarischer Auseinandersetzung mit Wielands Agathon und den intertextuellen Bezügen der Romane vgl. Thilo Joerger, „Agathon, vier Fuß drey Zoll hoch, in der Gestalt eines Pagoden“, in Schriften der Johann–Karl–Wezel– Gesellschaft 1 (1997): 18–35, in Bezug auf den Vergleich der Physiognomien der beiden Protagonisten besonders S.

This transition leaves behind it a fault line between historic periods that Foucault, in his Archaeology of Knowledge, referred to as an epistemic change and that alters the way in which signs are interpreted. Foucault argues that after the move from the medieval, after 1600, to the modern period (which he refers to as “classical”) of the seventeenth and eighteenth centuries, there was a radical increase in the importance of the natural sciences and the implementation of controlling and classifying structures.

Der Umgang mit sogenannten ‚Mißgeburten‘ im 18. Jahrhundert“, in Subjektive Welten. Wahrnehmung und Identität in der Neuzeit, hrsg. von Martin Rheinheimer (Neumünster: Wachholtz, 1998), 91–108. Wezel selbst verwirft in seinem Versuch die Möglichkeit, dass das Ungeborene durch Erschrecken der Mutter die Gestalt eines Tieres annehmen könne: Johann Karl Wezel, Versuch über die Kenntniß des Menschen (Werke Bd. 7), hrsg. von Jutta Heinz (Heidelberg: Mattes, 2001), 114. 28 Ernst Anton Nicolai, Gedancken von der Erzeugung des Kindes im Mutterleibe und der Harmonie und Gemeinschaft welche die Mutter während der Schwangerschaft mit demselben hat (Halle: Lüderwaldische Buchhandlung, 1746), 246.

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